Desires of
the MIND.
We concluded the last article with: “After death the Mind has following
options to choose.
1. To give up available energy A and go to
zero. This is the concept of Maha-Nirvana.
2. To earn additional energy from A to 2.5 A,
and then opt for rebirth.
3. To not to opt for birth and go on earning
additional energy -endlessly up to infinity. This is the stage of Moksha”.
What must be the plight of the Mind after death before it chooses its
options? It all depends on the
cumulative effect of the journey and the desires pursued by the mind throughout
the earlier life(s).
Let us go into the details.
Let us go into the details.
Synonym of DESIRE are
wish, want, crave, and covet.
Desire is
defined as “Conscious impulse toward something that promises enjoyment or
satisfaction in its attainment”. Desire is the basis of Karma.
The Concise
Oxford Dictionary of Current English defines ‘karma’ as the "sum of
person's actions in one of his successive states of existence, viewed as
deciding his fate for the next".
Let us see
what Indian thinkers say about it.
Bhagwat Gita
on Desires. (Chapter 3, verses 39, 40 and 41).
Gita is the
gist of Vedas, Upanishads, the precious Indian literature on spirituality,
respected world over. On “desire” the comments in Gita are:
“O Son of
Kunti (Arjuna)! Constant enemy of wise men is the un-abatable flame of desire,
by which wisdom is concealed”. (Gita 3/39).
“The senses,
mind, and intellect are said to be desire's formidable stronghold; through
these, desire deludes the embodied soul by eclipsing its wisdom. Therefore, O
Best of the Bharata Dynasty (Arjuna), first discipline the senses then destroy
desire, the sinful annihilator of wisdom and Self-realization”. ( Git 3 /40-41).
“Arjuna asks Shrikrishna – How an
individual is impelled to do sinful acts, even unwillingly, as if engaged by
force”? (Gita 3.36).
'You
are responsible for your actions!’ says Shrikrishna. God (the embodied spirit)
does not create actions nor does he induce people to act, nor does he create
the fruits of action. All these are enacted by the modes of material nature
(your own temperament) i.e. your behaviour is responsible for your sinful acts. (Gita 5/14).
How these
actions emanate in life from start to end? This would reveal the outcome of the
human desires throughout the life.
The
origin of Desire. We
are saying here that the birth, life journey, death and re-birth are all based
on the mind’s desire. But what is the origin of the desire? Let us see this.
Do you know
what your desire is right now? It is for sure that you want something because
the mind is continuous stream of desires. You have a desire this moment,
you had it in all past moments and you would have it till last moment of the
life in one form or the other. If you go deep in to the past, the first moment
in the being is the moment of conception. And by the same logic, the last
moment will be the moment of death.
Desire has
the power to achieve anything, but where from the desire crop up? The moment
desire is identified, you can act; but before this moment, where from it
emerges? What is the origin?
Vedic
Conception of Sound in Four Features - PARA, PASHYANTI, MADHYAMA, VAIKHARI.
(Originally
published in "Tattva Prakasha" Volume 1, Issue 7; available online
at. www indiadivine.org/)
The
origin of sound is described in four stages as below. The origin of the desire
can be considered to follow the same path as sound. (Replace the world 'sound' with the
word 'desire')
Para. (परा) - Para is the transcendent sound. Para means highest or
farthest, and in this connection it indicates that sound (desire) which is
beyond the perception of the senses. On the stage of para there is no
distinction between the object and the sound (desire). The sound contains
within it all the qualities of the object.
Pashyanti.
(पश्यन्ती) - Pashyanti is the second level of sound (desire), and
is less subtle than para. Pashyanti in Sanskrit means "that which can be
seen or visualized". This sound is intuitive and situated beyond rigidly
defined concepts. On the stage of pashyanti, speech (desire) is intuitively
connected to the object. There is near oneness between the word and the
experience described. Pashyanti is the finest impulse of speech. The seat of
pashyanti is in the navel or the Manipur Chakra. When sound goes up to the
naval with the bodily air in vibratory form without any particular syllable, yet
connected with the mind, it is known as pashyanti.
MADHYAMA
(मध्यमा)
VAIKHARI (वैखरी) - Vaikhari is the grossest level of speech (desire), and it is
heard through the external senses. When sound (desire) comes out through the
mouth as spoken syllables it is called as vaikhari.
Madhyama is
the intermediate unexpressed state of sound (desire), whose seat is in the
heart. The word Madhyama means "in between" or "the
middle". Madhyama refers to mental speech (desire), as opposed to external
audible speech. It is on this level that we normally experience thought.
In the
manifestation process, after sound (desire) has attained the form of pashyanti,
it goes further up to the heart and becomes coupled with the assertive
intelligence. At this point it manifests itself in the form of vibratory mode
madhyama. Only those who are endowed with discriminative intelligence can feel
this.
Illustration
– In case of desire of food the stage wise description could be as follows
.
Para: - From no desire stage to the generation
of some impulse of restlessness.
Pashyanti: -
Search for the cause of the impulse, search indicates the feeling of hunger,
say breakfast.
Madhyama: –
Self talk viz. what type of food is preferable within the available options? What do I prefer out of 4-5
options? Shall I go for veg sandwich?
Vaikhari:
– You reach a restaurant and order for
the veg sandwich. This is the expression of the desire.
Here we see
the stage Para is the starting point of the emerging desire. We defined Para
as: “From no desire stage to the generation of some impulse of restlessness”.
In order to probe further let us see how one reaches this impulse-stage - ‘pre-Para’?
This will be
the subject for next article.
Vijay R. Joshi
Very well described with the help of 4 stages of sound.
ReplyDelete